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English Vocabulary in Use (Michael McCarthy and Felicity O'Dell)
The House Of The Seven Gables (Nathaniel Hawthorne)
The novel is set mainly in the mid-19th century, with glimpses into the history of the house, which was built in the late 17th century. The primary interest of this book is in the subtle and involved descriptions of character and motive.
The house of the title is a gloomy New England mansion, haunted from its foundation by fraudulent dealings, accusations of witchcraft, and sudden death. The current resident, the dignified but desperately poor Hepzibah Pyncheon, opens a shop in a side room to support her brother Clifford, who is about to leave prison after serving thirty years for murder. She refuses all assistance from her unpleasant wealthy cousin Judge Jaffrey Pyncheon. A distant relative, the lively and pretty young Phoebe, turns up and quickly becomes invaluable, charming customers and rousing Clifford from depression. A delicate romance grows between Phoebe and the mysterious lodger Holgrave, who is writing a history of the Pyncheon family.
The Count of Monte Cristo (French: Le Comte de Monte-Cristo) is an adventure novel by Alexandre Dumas, père. It is often considered to be, along with The Three Musketeers, Dumas' most popular work. The writing of the work was completed in 1844. Like many of his novels, it is expanded from the plot outlines suggested by his collaborating ghostwriter Auguste Maquet. The story takes place in France, Italy, islands in the Mediterranean and the Levant during the historical events of 1815–1838 (from just before the Hundred Days through to the reign of Louis-Philippe of France). The historical setting is a fundamental element of the book. It is primarily concerned with themes of hope, justice, vengeance, mercy, forgiveness and death, and is told in the style of an adventure story.
The Battle of Life: A Love Story (better known as The Battle of Life) is a novel by Charles Dickens, first published in 1846. It is the fourth of his five "Christmas Books", coming after The Cricket on the Hearth and followed by The Haunted Man.
It is noteworthy in that it is the only one out of the five books that does not have any use of supernatural elements. It bears the greatest resemblance to The Cricket on the Hearth in two aspects: that it is not a social novel and that it is resolved with a romantic twist. As is typical with Dickens, the ending is a happy one.
A Collection of poems:
ECHOES, A SEA DIRGE, HIAWATHA'S PHOTOGRAPHING, MELANCHOLETTA
A VALENTINE, THE THREE VOICES, TEMA CON VARIAZIONI, A GROUP OF FIVES
POETA FIT. NON NASCITUR, SIZE AND TEARS, ATALANTA IN CAMDEN-town,
THE LANG COORTIN', FOUR RIDDLES, FAME'S PENNY TRUMPET.
These inventive and entertaining pieces display the genesis of the wit and imagination of Jane Austen’s mature fiction. Written when she was only in her teens, they are by turns amusing, acerbic and occasionally downright silly.
Love and Friendship and Lesley Castle provide parodies of the gentry and the fashionable idea of sensibility of the time. A History of England supplies us with a lively chronicle of English monarchic history. Also included in this collection are The Three Sisters, Catharine and the series of vignettes known as A Collection of Letters.
"If 'Treasure Island' is the pirate story par excellence, then 'Kidnapped' is the romantic Scots adventure story of all time. Written in 1886, it is set in the turmoil and aftermath of the 1746 Jacobite Scots rebellion against the English at Culloden - events that established much of the national Scots character, which persists to this day. The story follows David Balfour, the canny eighteen year old, who is keen to seek his fortune. He sets out from the lowlands of Scotland to meet his mysterious relative, in search of work and 'whatere he may find'. His adventures begin at almost at once, and dark family secrets are soon only the starting point for an adventure that is a sort of Scottish Odyssey, with sea voyage, shipwreck, good friends and fights aplenty in the Hieland mountains and valleys. He meets and teams up with the excitable Alan Breck, a fighting man, and a lover of lost causes. The pace is sustained throughout and the narrative wrings the maximum effect from the most basic action plot and dialogue. The superficial simplicity of the whole belies the psychological depths portrayed in the masculine tensions and arguments that develop between the fugitives, and the book is so well written that it has earned the praises of the literary sophisticate, including Henry James and Jorge Luis Borges. I recommend the Penguin Classics edition for this story as it has an excellent little glossary and set of notes explaining the rich Scots dialect terms which season the dialogue. One odd thing I did notice - there is many a dram of spirits consumed, but it is all brandy, not a drop of guid Scotch." |